I can confirm, we ”analyzed” the color of the curtains in some novel I now forget. I believe they were, in fact, blue. The teacher was adamant details like that were always meaningful and certainly not just to paint a scene. It was far from the only instance of such “analysis”.
What we actually learned from those lessons was that English/literature class was a waste of time and how to craft complete bullshit that sounds deep, which I guess is a useful skill.
>What we actually learned from those lessons was that English/literature class was a waste of time and how to craft complete bullshit that sounds deep, which I guess is a useful skill.
I find it disappointing how poorly the lesson is taught. The question shouldn't be 'Why?' [The author did something] it should be "What?" [did the author do]. Whether they were colored for a purpose or not, what does the blueness of the curtains convey?[0]. The point then is to be able to generalize to 'what is this media conveying,' occasionally with intent[1], and 'how do I create media with my intended conveyance'.
[0]'Nothing in particular' is a valid answer, that the protagonist's favorite color was blue could be another.
[1]e.g. in a commercial: actors, wardrobe, setting, et al are all very intentionally selected to convey the message 'this product will make your life better' or similar.
> What we actually learned from those lessons was that English/literature class was a waste of time and how to craft complete bullshit that sounds deep, which I guess is a useful skill.
Same in german. Die Leiden des jungen Werther - dry, boring, irrelevant.
What we actually learned from those lessons was that English/literature class was a waste of time and how to craft complete bullshit that sounds deep, which I guess is a useful skill.